Phantom LUTs. Fs7/5 & Alpha Series Fx-9/A7siii (coming soon) Bmpcc4k (coming soon) Arri Alexa(coming soon). Using Picture Profile presets with S-Log. When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9. The PP7 preset combines S-Gamut and S-Log2, while PP8 is S. INCREDIBLE SONY FOOTAGE RENEGADE IS A COLLECTION OF LUTS MADE FOR S-LOG 2 Add cinematic color grades to your Sony footage in one easy step. INSTANT DOWNLOAD! ADD TO CART EASY TO USE Just pick the LUT you'd like and apply it to any shot with one click! WORKS IN MOST APPS Editing and color apps, even Photoshop, our LUTs work in just about anything.
BEAUTIFUL SONY FOOTAGE RENEGADE 2 IS A COLLECTION OF LUTS MADE FOR S-LOG 2 Add cinematic color grades to your Sony footage in one easy step. INSTANT DOWNLOAD! ADD TO CART EASY TO USE Just pick the LUT you'd like and apply it to any shot with one click! WORKS IN MOST APPS Editing and color apps, even Photoshop, our LUTs work in just about anything. Because many of you asked me for an Slog2 LUT I've created one today.With this.cube file (Works best in Premiere Pro but also should work with FCPX) you can turn your flat Slog2 footage into a nice contrasty filmlook.My settings on the Sony A7SII and a6500:PP7, S-Log2Sgamut3.cineDetail -7 for 4K fi.
A custom pack of 7 LUTs designed specifically for Sony SLog Footage. These LUTs can be used for other footage! They were created while grading SLog footage, so we are titling them as such. Download full pack of unique LUTs. This pack contains LUTs as.CUBE and.3DL files (size 33x33x33), and a quick PDF guide. Also is included tints LUTs to give a color atmosphere without affecting other color settings. Sony Slog2 Lut Download. I’ve been shooting with my new Sony A7S II extensively over the last couple of weeks, and recently developed a LUT that I’ve been using with all of my SLog 3 footage. The new LUT that I created was based off of a hybrid of Sony’s SLog 3 LUT and the Arri Alexa LUT, the former of which works surprisingly well.
Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT]. You can also add your regular LUTs to the [3D LUT] menu. Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.
Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT]. In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.
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Sony Slog2 Lut Download Pc
Update: Head to our latest reviews: done by Nino and a comprehensive done by Sebastian. Grading is tricky. In fact, it is an artform in itself.
I n my, I graded the footage to my liking and although I supplied a link to an (which was downloaded hundreds of times), I kept hearing concerns from some of our followers about the low contrast grade I did. This morning, a friend and colleague of mine whose I used for grading my original piece stepped in. He sent me 4 which were created specifically for that project and this camera.
Please feel free to download those LUTs from and grade the footage to your liking. The above video was re-graded very quickly using one of those very LUTs. Once again, thank you to everybody who watched and commented on the. Camera picture profile used in this video: S-Log 2. Shot mostly on 800 native ISO, Edited on Adobe Premiere CC latest edition. Here you can find additional Music.
Technicolor Lut Download
Title used: A huge thank you to Katharina Almer and Cornelia Rimser for allowing me to document a day in their professional life. Please support them in finding a sponsor for their!
Sony Fs700 Slog2 Lut Download
• • • Will save you time and help you professionally grade your film. After searching for a while ourselves as film makers, we noticed there weren't any clean LUTs out there that we were completely satisfied with for correcting Sony SLOG 2 and 3 to a standard clean look. Then we decided to create our own. Here we have designed a LUT that we use ourselves to get that clean polished look without having to go through the trouble of grading.
Using Picture Profile presets with S-Log
When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.
Sony Slog2 To Rec709 Lut Download
The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.
Camera setting and types of Picture Profiles
MENU → (Camera Settings) → [Picture Profile] → desired setting.
- PP1:
- Example setting using [Movie] gamma
- PP2:
- Example setting using [Still] gamma
- PP3:
- Example setting of natural color tone using the [ITU709] gamma
- PP4:
- Example setting of a color tone faithful to the ITU709 standard
- PP5:
- Example setting using [Cine1] gamma
- PP6:
- Example setting using [Cine2] gamma
- PP7:
- Example setting using [S-Log2] gamma
- PP8:
- Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].
- PP9:
- Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].
- PP10:
- Example setting for recording HDR movies using [HLG2] gamma.
- Learn more
Why Log video looks faded and low-contrast
Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.
Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.
When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.
The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.
Free Slog 2 Luts
Appearance of S-Log2 video on a Rec. 709 screen
Easily reproducing colors on Rec. 709 screens with 3D LUTs
Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.
Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.
When ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.
Using Gamma Display Assist and external monitors
To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.
You can also take advantage of LUT-compatible external monitors, which are now more common.
Comparison of using a LUT on an external monitor
This video introduces shooting in S-Log and shows how effective it can be.
When shooting in S-Log, you can choose S-Log2 or S-Log3. Colors are reproduced differently depending on your choice, so use the right option for your workflow.
In this video, you can see how S-Log2 colors differ from those of S-Log3.